Wornoutwoman

After Finding Kylie was published, a film producer from London reached out to me asking to be a part of the script, insisting that it would be perfect for the screen.  He also warned it was a TON of hard work invested with a LONG turn around as the film industry can take years. 
 I thought, 'Okay a couple years. I can handle that.' However, here we are about eight years later and a major door finally opened.    For the last four years, we've been trying to get a hard read set up.  For those of you who have no idea what a hard read is, I'll explain.  It's basically doing a dry run or a read with real actors, to make sure it is what we think it is 'off the paper'. We've written the script, and in our heads (in 2D) it's perfect - but when acted out or read aloud in 3D - it may not sync.  This just helps me and John , who is the film producer and my writing partner for the script, see it in person to finesse it so that we can ...

So in the last four years, I've been involved in two writing projects - co-writing the screenplay of Finding Kylie, and the sequel, Facing Redemption. To keep up to date with any of my current events, it's best to check here on my FB page . Currently, my writing partner, film producer, John Schwab, is currently casting for the hard read of Finding Kylie.  Let me explain what a hard read is so there's no confusion... Although the script is in front of some influential filmmakers, it is not sold... yet.  A hard read is just as is sounds. We're casting actors to read the script for our own purposes, to make sure the story does what we feel it will do - not just on paper but fleshed out with real people. So when I say we're casting for the hard read - this will be for our purposes only. Call it a learning curve to see if the script lives up to the potential we know it has.  Since John lives in the UK, I will skype in for the hard read, which he will also t...